Poet Interview #21 – Jessica Lindsley

Can you tell us a little bit about yourself? At what age did you start writing? Have you always written poetry? Who/what first inspired you to start writing? Who are your favorite poets?

The short story: Introvert. Powerlifter. Feminist. Poet. Artist. The longer version: I’ve been writing my entire life. In first grade, I got held in from recess for writing a story instead of my first math test. I did poorly in school and my dad prevented me from receiving help for my dyslexia and ADHD by showing up at the two-room school after a night of drinking, and no one teacher ever suggested I get help again. My father’s untreated schizophrenia and alcoholism kept our family isolated and in poverty in spite of my mother’s best efforts. He’d hire us four kids out as farm labor at below minimum wage, paid directly to him; summers were spent at primitive camping areas with no running water and eating bluegill and perch for every meal or boiled wheat left by Mormons moving out of the area; winters were spent training for endless weightlifting meets and standing at attention during home bible studies. My dad hated women and I grew up with conflicting messages. On one hand, I was physically strong, a powerhouse lifter dominating state and national championships but indoctrinated to believe that women caused all evil in the world and beaten relentlessly if “god” told him I had evil thoughts. I started keeping a journal as a suicide note and it became my lifeline. It was my way of expressing my story, the horrors of the world I lived in and proving that my experiences were real.

I wanted to be John Milton and wrote hundreds of epic poems in high school incorporating the mythology and Latin I knew to the tune of Simon and Garfunkel or Bowie songs. Which my dad believed to be Satan music and I had to hide my writing at my locker at school for fear of being punished. In college, I discovered T.S. Eliot, memorizing The Wasteland and holding dramatic enactments at the same coffee shops that kicked us out for not making enough purchases or laughing too loudly as we did our homework. I only started to read women in the last decade, finding that the ideas the men I was trying to be did not speak to or include me. Emily Dickinson, Anne Sexton and Sylvia Plath paved the way for Sharon Doubiago and Carolyn Forché.

How do you first start writing a poem? Does it come to you out of the blue, or do you have a set time where you meet with your Muse each day and let the words just … come? Has your idea of what poetry is changed since you began writing poetry?

Everything starts out as a long-hand journal entry in a spiral notebook or notes taken on masking tape and hidden inside my shirt if I am at work. Nothing freaks my co-workers out like finding some of my poems on the production floor, so I hide them the best I can. I always thought a real writer writes novels, and spent many, many years trying to force myself into doing so. I am a non-linear thinker so an A to Z narrative is harder than self-performed root canals, and I have been working for years to overcome dissociate and PTSD/trauma issues that prevented me from a straightforward storytelling style. The Artist’s Way helped me to write what I have in me instead of trying to conform to anybody else’s style or genre.

Are you on Facebook or Twitter or any other social media? Does that fit into your writing life, and if so, how?

All of it; most active on Pinterest lately. Facebook really helped validate my identity as a writer, living vicariously through the posts of friends about poetry readings, book signings and actual physical interactions with other people who write. I read everything they posted and started a self-guided reeducation based on what I realized that I didn’t know. It’s easy to get caught up with only reading off the phone but I love, love, love physical books.

Do you have a writing group or community of writers you share your work with? Who are they? What are you reading right now?

In 2011, I joined a writer’s group, whose members write sci-fi, epic fantasy novels and erotic fan fiction. I learned that sometimes no feedback is preferable to uninformed feedback. My sister and I started a poetry reading series, basically trying to create the events we wished were in our area. I find myself following leads, asking people around me if they know anyone who writes poetry and pushing the limits of my introverted comfort zone. Seeing poets read their work has been phenomenal and it feels awesome to finally have a sense of community.

What words of encouragement can you offer other poets who are trying to get their work noticed?

Persistence. Be brave. Be you. No one has the story you have.

Reverberating Narrative

The Drifter

by Michael Lee Johnson

 

The drifter in the room is a stranger,

he is crazy, is Bigfoot with deer moccasins on−

monster of condominium rooms and dreams.

The drifter in this room used to be my friend.

He spoke straight sentences, they did not sound like poetry-

reverberated like a narrative, special lines good, a few bad,

or stories being unwound by the tongue of a gentleman,

lip service, juggler of simple words to children.

The night is a dark believer in drifters,

they sound sober, affairs with the wind,

the 3 A.M. honking of the Metro trains.

Everything sleeps with a love, a nightmare at night.

The drifter.

—————–

Michael Lee Johnson lived ten years in Canada during the Vietnam era:  now known as the Illinois poet, from Itasca, IL.  Today he is a poet, freelance writer, photographer who experiments with poetography (blending poetry with photography), and small business owner in Itasca, Illinois, who has been published in more than 875 small press magazines in 27 countries; he edits 10 poetry sites.  Michael is the author of The Lost American:  “From Exile to Freedom”, and several chapbooks of poetry, including “From Which Place the Morning Rises”, “Challenge of Night and Day”, and “Chicago Poems”.  He also has over 76 poetry videos on YouTube.

Facebook:  http://www.facebook.com/poetrymanusa
Twitter:  http://twitter.com/poetrymanusa
MySpace.com:  http://www.myspace.com/469391029 

Facebook Group:  Contemporary Poets https://www.facebook.com/groups/807679459328998/

Poet Interview #20 – Michael Lee Johnson

When did you start writing?

I started to write in 1967, 49 years ago. I went into exile due to the Vietnam War era; back then there were no typewriters, no internet; I had to type poems one by one (no photo copies); using international coupons and stamps, via snail mail only, with up to a 6 month wait; and 95 out of 100 journals never responded, much less made a comment about your poems – just a photocopied rejection letter. Therefore, for many years I continued to write but not send the poems out. In 2007, with the advent of the internet, I revised poems and created new ones, and have now been published in 27 different countries. I was nominated for two Pushcart Prizes for poetry in 2015. I have always written poetry but have also had a few articles published related to correctional administration and the Vietnam War experience.

Who/what first inspired you to start writing. Who are your favorite poets?

The Vietnam War and young love started me writing. My favorite poets are many but it goes like this: Carl Sandburg, Robert Frost, Leonard Cohen, Irving Layton, Margret Atwood (early poems), Sylvia Plath, and Charles Bukowski. Other influences on my writing include Hermann Hesse (German writer) and Krishnamurti (writer/philosopher).

How do you first start writing a poem? Does it come to you out of the blue, or do you have a set time where you meet with your Muse each day and let the words just … come? Has your idea of what poetry is changed since you began writing poetry?

Often writing a poem starts with a few lines that expand. Other times I get started while reading other poets. Other times poetry arrives after a few shots of Vodka. I do not set times to write because it does not flow for me that way. Yes, my idea of poetry has changed from romance, depression, and lost love to a form of therapy that is realistic, and is a positive influence in my life at this time. I have expanded from self-centeredness to helping and encouraging dormant poets get started by finding their poetic wings. I read about a famous female poet (whose name I cannot remember) that gave up on poetry because she “found no reality there.”  I do not look for reality in poetry; no one knows what reality is.

Are you on Facebook or Twitter or any other social media? Does that fit into your writing life, and if so, how? Do you have a writing group or community of writers you share your work with? Who are they? What are you reading right now?

Yes to all the above related to social media exposure. My background is social work and for the last 20 years advertising. I am active on Facebook, an administrator for a Facebook poetry group: Contemporary Poets, Their Works, Current Poetry Projects, News, and Links; at this time the group has nearly 2,800 members: https://www.facebook.com/groups/807679459328998/

I’m on twitter/Linkedin/Google +/Stumble Upon/Pinterest/YouTube. As of this writing, I have 89 poetry videos on YouTube and over 40,400 views: https://www.youtube.com/user/poetrymanusa/videos.

In the last year, I have been going to a few poetry critique groups and poetry reading groups here locally in the Northwest Chicago suburbs.

What words of encouragement can you offer other poets who are trying to get their work noticed?

This is the most important question here. When I created the poetry group: Contemporary Poets, Their Works, Current Poetry Projects, News, and Links, I noticed right from the beginning the latent talent embedded within the members of the group. One man contacted me and told me a brief of his story – 60 plus years, been writing for years, and had not done much with his writings. I read them and found a diamond in the rough. His name is Ken Allan Dronsfield who now you can find as an established poet online. There was so much talent I decided to invest my time collecting poems from members and now we are near completion of a poetry book titled “Moonlight Dreamers of Yellow Haze”. I am the editor-in-chief, Ken is my Coeditor, and there will be 52 poets from this poetry Facebook Group in the book. Since this book project began around 3 months ago, about 10 or 12 members (so far) from the group are now establishing themselves as published poets. I am so proud of this group.

Steady Rhythms

Stepping into the Nearest Inspiration
by Richard King Perkins II
 
The paths I walk tonight are serene,
like the flight of a ring-tail harrier on rising air currents.
 
An impish moon cavorts with clouds
pushed across a sumptuous ink-blue sky.
 
A small town school is so soundless
in contrast to the day’s flurry
that each morning is the beginning of a small revival.
 
At the edge of an industrial park,
across its concrete promenades, I continue,
 
past a small spread of mulberry trees
to where fields are engaged as nature’s wild mechanism.
 
Tiptoeing along the low river,
all I’ll need is a small raft and a little luck,
and by tomorrow, I’ll be beachcombing on the ocean’s shore.
 
Walking is the most ancient form of expression—
my feet independently rise and descend,
rise and descend,
in a continuous, unbridled rhythm,
 
never certain of where I intend to go
but always taking me where I need to be.
 
 
—————–
Richard King Perkins II is a state-sponsored advocate for residents in long-term care facilities. He lives in Crystal Lake, IL with his wife, Vickie and daughter, Sage. He is a three-time Pushcart nominee and a Best of the Net nominee and was a recent finalist in The Rash Awards, Sharkpack Alchemy, Writer’s Digest and Bacopa Literary Review poetry contests.

Perpetual Motion Machine

Eventually
by Michael Keshigian
 
Staring from the moon
in a dream,
I saw
people of Earth
meander aimlessly
from minute cavities,
following burrows
to dutiful destination
and back again,
some moved faster,
some carried more,
others were prostrate
to fantasy,
but above each hill
hovered ghosts of intentions
not resting, but preparing
singular openings
where well meaning
will be placed.
 
—————–
Michael Keshigian’s tenth poetry collection, Beyond was released May, 2015 by Black Poppy. He has been widely published in numerous national and international journals most recently including Poesy, The Chiron Review, California Quarterly, and has appeared as feature writer in over a dozen publications with 5 Pushcart Prize and 2 Best Of The Net nominations. (michaelkeshigian.com)